Ken Jeong of “The Hangover” fame, shares this intimate perspective of his wife’s cancer and its impact on him as caregiver.
This is part of a series of films for the upcoming WETA and Ken Burns Cancer project. cancerfilms.org/story-wall/
Patient Voice was made possible by a grant from the Arnold P. Gold Foundation, created in collaboration with the Children’s Brain Tumor Foundation. We worked with an amazing group of young people who created images which they narrated for a video to describe their own experiences – My Diagnosis, The World of Medicine (the good and the bad) and What Keeps Me Going.
Most recently, with grants from both the Fred J. Epstein Foundation and the Arnold P. Gold Foundation, we are continuing our “Patient Voice” work, engaging people in sharing their experiences to educate those working in the world of medicine.
Published on Oct 22, 2014
At TEDMED, Debra Jarvis draws on her own experience with cancer to offer a witty yet daring look at the way that survivors of disease and trauma can achieve new levels of emotional and psychological healing. For writer, ordained minister, and hospital chaplain Debra Jarvis, humor is a powerful balm. She is not afraid to be funny even when doing very serious work with the sick and dying as a hospice chaplain, a pastoral consultant for volunteer groups caring for people with AIDS and MS, and staff chaplain at the Seattle Cancer Care Alliance. Debra is the author of It’s Not About the Hair: And Other Certainties of Life & Cancer and numerous other books. Currently on sabbatical in Geneva, Debra’s last job was as writer-in-residence for the University Congregational United Church of Christ in Seattle. In her free time, Debra accompanies her Cairn terrier Max in his therapy dog work.
More from TEDMED 2014
By Leah Sannar
Ahh, don’t you just love exploring the lighter side of life with an ostomy? Anyway – guess what? This month marks my 6th “Ostoversary.” In case you’re new to this fabulous term, which I know you are because I just made it up, it’s a combo – Ostomy/Anniversary. This is a big deal you guys! I can’t believe time goes by so quickly and that I’m already celebrating 6 years! And I do use the term “celebrating” on purpose, because that’s exactly what I’m doing. I’m celebrating. Sure, living with an Ileostomy has had its challenges. And they are definitely challenging; I don’t mean to downplay them. But when you put those trials next to the ones I faced with active Crohn’s Disease – they feel mild, even easy. Maybe not in the moment… but they are 100% more desirable to me, than going back to life without an Ostomy. (Hear more about how I ended up with an Ileostomy here.)
People are always so fascinated with me when they find out about my Ileostomy. I always get this blank stare that says, “Oh man, I have so many questions… I really want to ask, but I don’t want to offend [...] continue the story
The emotionally charged story recounted at the beginning Dr. Paul Zak’s film—of a terminally ill two-year-old named Ben and his father—offers a simple yet remarkable case study in how the human brain responds to effective storytelling. As part of his study, Dr. Zak, a founding pioneer in the emerging field of neuroeconomics, closely monitored the neural activity of hundreds of people who viewed Ben’s story. What he discovered is that even the simplest narrative, if it is highly engaging and follows the classic dramatic arc outlined by the German playwright Gustav Freytag, can evoke powerful empathic responses associated with specific neurochemicals, namely cortisol and oxytocin. Those brain responses, in turn, can translate readily into concrete action—in the case of Dr. Zak’s study subjects, generous donations to charity and even monetary gifts to fellow participants. By contrast, stories that fail to follow the dramatic arc of rising action/climax/denouement—no matter how outwardly happy or pleasant those stories may be—elicit little if any emotional or chemical response, and correspond to a similar absence of action. Dr. Zak’s conclusions hold profound implications for the role of storytelling in a vast range of professional and public milieus.